The Beginning of the END part Four — More on the Small Press

Morning, y’all!

I ended two weeks ago with a bit of the pros and cons when dealing with small presses, over big presses, and there were just as many cons as pros when it came to dealing with and being published by New York houses. I’d like to concentrate on one single pro today, and how it may often be better than dealing with big houses and with self-publishing.

(With apologies to Di, and her post on Friday!)

Pros for working with a small press? In my opinion is this – Writers get a bigger percentages on electronic sales. NYC offers a standard 25%. Most small presses offer 50% net. And the money flows to the author. A lot of people are going the self-pub route, because they think they can make a high percentage with the first check, and they are right on a sale-by-sale percentage. But that isn’t […]

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The Beginning of the End Part 3 — The Small Press

Happy Day-After-Valentine’s Day, Y’all! Picking up where we left off, let’s talk about small presses. (I know it isn’t a rose or candy, but it’s good info.)

With stores ordering fewer and fewer books, publishing houses publishing fewer and fewer books, and more and more readers ordering electronic books (the book purchasing percentages of the Jane Yellowrock series are now 81% electronic) we have more and more writers, even high midlist name writers, looking at small presses. Herewith are a few of the Pros (prose?) and Cons of the SMALL PRESS.

Cons 1. No books on bookstore shelves 2. Poor likelihood of library purchases 3. Poor likelihood that the small press will work with distributors like Baker & Taylor and Ingram’s 4. Which makes it difficult for indie bookstores and chains to even know about your book 5. Few small presses even put out an electronic catalogue 6. Small presses […]

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Traditional Publishing, Self-Publishing and the Pro Writer

Once upon a time, not long ago, there was ‘real’ publishing and vanity publishing. ‘Real’ publishing paid the author, and authors paid the vanity publisher. The lines were clear. Few self-published books made it across the threshold into legitimacy. Self-publishing carried a stigma, regardless of how well-written.

My, how things have changed.

Blame or credit ebooks and print-on-demand for creating a seismic shift in how books are created. Ebooks removed the cost barriers for self-publishers, because with a good cover and interior design, a self-published book could look just as good as one from a big publishing house. Print-on-demand meant that do-it-yourselfers no longer had to pay exorbitant prices to get a minimum print run. And with Amazon willing to carry self-published books and the demise of many brick-and-mortar bookstores, the final objection—not being able to get distribution to bookstores—vanished.

It took a while before professional writers, authors who had […]

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Joshua Palmatier — Clockwork Universe: Steampunk vs. Aliens

This is the fourth and final post here on Magical Words related to the upcoming CLOCKWORK UNIVERSE: STEAMPUNK vs. ALIENS anthology, being released by the new small press called Zombies Need Brains and edited by Patricia Bray & Joshua Palmatier. This time we’re focusing exclusively on the anthology itself. That’s right, this is the promo post! All steampunk, all alien, all the time! *grin*

 

I’m happy to announce the back cover copy of the anthology, along with the table of contents. The anthology should be hitting the shelves in the next month or so, so add it to your wish list or preorder it at your favorite online bookstore! First off, the cover art and book description. We used the art “Steampunk Octopus” by Alex Broeckel for the cover (signed, limited edition prints available at the Zombies Need Brains online store), since it captured the concept of the […]

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It’s Hip to Be Square: The Modern Merchant-Author

I feel like I entered the publishing business at a tumultuous time; and if it was not tumultuous, it was definitely on the cusp of major change. In 2002, when I had my first novel published with a small Canadian press, I was regarded “not ready for prime time” and instructed to keep my mouth shut while the adults held court on the panels at conventions. (No, not everyone was like this; but it was implied. Often.) I was also growing accustomed to shouldering the responsibility of providing my own books at events, something that many authors turned a nose up at. Whether it is at conventions or special events, some authors expect their books to be there. I remember at one event paying a visit to the bookseller’s booth in the off-chance my books were there. (My publisher could be stocked by booksellers, an advantage Dragon Moon had over […]

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