The Patron and Kickstarter method of funding life and projects.
More and more we are seeing writers and others in arts and science go to the public for assistance for everything from funding a film, to producing an anthology, to creating a comic book, to producing a new battery to run cars, to making a watch, which surely must contain a genie who has magical flatulence to support the cost required by the startup money needed. Some projects are so successful that they fund hundreds to millions of dollars over the startup capital needed to produce the … whatever it is.
I’ve used this method myself, using Kickstarter to fund the Rogue Mage Role Playing Game. We were successful. We finished the project. It was grueling and I’ll never do it again because it was the “Project from Hell,” which I’ve written about here and won’t bore you with it […]
Continue reading Making Money Mondays — Patron and Kickstarter
Welcome to a special release-day edition of Quick-Tip Tuesday. Today is the official publication day for Shadow’s Blade, book III of The Case Files of Justis Fearsson (following Spell Blind and His Father’s Eyes). I have a giveaway going on my Facebook page; my publisher, Baen Books, is giving away five copies on Goodreads; I’ve been posting teasers from the book and last week I recorded an interview for the Baen podcast. Pretty standard release time stuff.
I love this book and this series, and would very much like to write more in the Fearsson universe, so if you have not yet started reading the Fearsson books, please consider picking them up and giving them a read. And if you have been reading them (thank you!) and have been waiting with bated breath for this newest volume to drop, now’s a great time to order your copy. We’ll wait. [Cue […]
Continue reading A Special Release Day Quick-Tip Tuesday
On paper, the money from a small press looks just as good as the money as from a bigger press. Better even. Percentages on ebooks from big houses usually runs 25% of net. In small houses, it’s usually 50% of net. Paper copies at big houses will start your payment 8% on mass market and start at 10% of hardback cover price. Small presses (almost) universally use POD (print on demand) for books and the percentage usually starts at 10%, so no loss or gain on percentage there.
Most larger presses are beginning to ease away from printing mass market books. The MMs never made any money for the companies. Trade paperbacks have meant higher profit margins meaning more money in their pockets. Ebooks ensure fewer returns. POD trade paperbacks can be issued per order, so no losses on returns there either. Therefore, all these changes in formats […]
Continue reading A Small Press Talk
For the last couple of months I’ve been talking about self-publishing my first indie title. At the bottom of this post, I’ll put links to the other three parts in case you missed them and want to go back and have a look.
The Incubus Job released a little over a week ago and I want to talk about a couple of miscellaneous issues that I ran into in the process. Things I learned, as it were.
First, where to upload to and setting up accounts. The most major outlet is hands-down Amazon. If you aren’t selling there, you are shooting yourself in the foot. Typically you make 70% if you price above $2.99 and 30% if you price below. You can go into the KDP Select program, which potentially will pay more and pays according to how much of your work is read. To join that program, you cannot […]
Continue reading Self-publishing Part 4
I ended two weeks ago with a bit of the pros and cons when dealing with small presses, over big presses, and there were just as many cons as pros when it came to dealing with and being published by New York houses. I’d like to concentrate on one single pro today, and how it may often be better than dealing with big houses and with self-publishing.
(With apologies to Di, and her post on Friday!)
Pros for working with a small press? In my opinion is this – Writers get a bigger percentages on electronic sales. NYC offers a standard 25%. Most small presses offer 50% net. And the money flows to the author. A lot of people are going the self-pub route, because they think they can make a high percentage with the first check, and they are right on a sale-by-sale percentage. But that isn’t […]
Continue reading The Beginning of the END part Four — More on the Small Press
Happy Day-After-Valentine’s Day, Y’all! Picking up where we left off, let’s talk about small presses. (I know it isn’t a rose or candy, but it’s good info.)
With stores ordering fewer and fewer books, publishing houses publishing fewer and fewer books, and more and more readers ordering electronic books (the book purchasing percentages of the Jane Yellowrock series are now 81% electronic) we have more and more writers, even high midlist name writers, looking at small presses. Herewith are a few of the Pros (prose?) and Cons of the SMALL PRESS.
Cons 1. No books on bookstore shelves 2. Poor likelihood of library purchases 3. Poor likelihood that the small press will work with distributors like Baker & Taylor and Ingram’s 4. Which makes it difficult for indie bookstores and chains to even know about your book 5. Few small presses even put out an electronic catalogue 6. Small presses […]
Continue reading The Beginning of the End Part 3 — The Small Press
Last month, I talked a bit about the changes present and coming to the publishing industry: the way that mass market paperbacks (the small paperbacks) are slipping away; the way that publishing houses are moving to Trade (the large paperbacks), Hard cover, and E-books; the way that bookstores are going to buy and stock fewer books altogether. A LOT less books; the way that the decreasing amount of shelf space for new books in stores will change the publishing marketplace. Worse – the way that, with fewer large pubs, there will be fewer numbers of writers published. Worst — the way that those fewer numbers of books in houses and on bookshelves means fewer editorial staff kept on hand, fewer PR staff, and all this means more adjustments for unpublished and midlist writers.
These changes have already resulted in a huge transformation in the way readers shop for books, and […]
Continue reading The Beginning of The End, Part 2