A Small Press Talk

In General:

On paper, the money from a small press looks just as good as the money as from a bigger press. Better even. Percentages on ebooks from big houses usually runs 25% of net. In small houses, it’s usually 50% of net. Paper copies at big houses will start your payment 8% on mass market and start at 10% of hardback cover price. Small presses (almost) universally use POD (print on demand) for books and the percentage usually starts at 10%, so no loss or gain on percentage there.

Most larger presses are beginning to ease away from printing mass market books. The MMs never made any money for the companies. Trade paperbacks have meant higher profit margins meaning more money in their pockets. Ebooks ensure fewer returns. POD trade paperbacks can be issued per order, so no losses on returns there either. Therefore, all these changes in formats […]

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Self-publishing Part 4

For the last couple of months I’ve been talking about self-publishing my first indie title. At the bottom of this post, I’ll put links to the other three parts in case you missed them and want to go back and have a look.

The Incubus Job released a little over a week ago and I want to talk about a couple of miscellaneous issues that I ran into in the process. Things I learned, as it were.

First, where to upload to and setting up accounts. The most major outlet is hands-down Amazon. If you aren’t selling there, you are shooting yourself in the foot. Typically you make 70% if you price above $2.99 and 30% if you price below. You can go into the KDP Select program, which potentially will pay more and pays according to how much of your work is read. To join that program, you cannot […]

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The Beginning of the END part Four — More on the Small Press

Morning, y’all!

I ended two weeks ago with a bit of the pros and cons when dealing with small presses, over big presses, and there were just as many cons as pros when it came to dealing with and being published by New York houses. I’d like to concentrate on one single pro today, and how it may often be better than dealing with big houses and with self-publishing.

(With apologies to Di, and her post on Friday!)

Pros for working with a small press? In my opinion is this – Writers get a bigger percentages on electronic sales. NYC offers a standard 25%. Most small presses offer 50% net. And the money flows to the author. A lot of people are going the self-pub route, because they think they can make a high percentage with the first check, and they are right on a sale-by-sale percentage. But that isn’t […]

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The Beginning of the End Part 3 — The Small Press

Happy Day-After-Valentine’s Day, Y’all! Picking up where we left off, let’s talk about small presses. (I know it isn’t a rose or candy, but it’s good info.)

With stores ordering fewer and fewer books, publishing houses publishing fewer and fewer books, and more and more readers ordering electronic books (the book purchasing percentages of the Jane Yellowrock series are now 81% electronic) we have more and more writers, even high midlist name writers, looking at small presses. Herewith are a few of the Pros (prose?) and Cons of the SMALL PRESS.

Cons 1. No books on bookstore shelves 2. Poor likelihood of library purchases 3. Poor likelihood that the small press will work with distributors like Baker & Taylor and Ingram’s 4. Which makes it difficult for indie bookstores and chains to even know about your book 5. Few small presses even put out an electronic catalogue 6. Small presses […]

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The Beginning of The End, Part 2

Last month, I talked a bit about the changes present and coming to the publishing industry: the way that mass market paperbacks (the small paperbacks) are slipping away; the way that publishing houses are moving to Trade (the large paperbacks), Hard cover, and E-books; the way that bookstores are going to buy and stock fewer books altogether. A LOT less books; the way that the decreasing amount of shelf space for new books in stores will change the publishing marketplace. Worse – the way that, with fewer large pubs, there will be fewer numbers of writers published. Worst — the way that those fewer numbers of books in houses and on bookshelves means fewer editorial staff kept on hand, fewer PR staff, and all this means more adjustments for unpublished and midlist writers.

These changes have already resulted in a huge transformation in the way readers shop for books, and […]

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Making Money Mondays — The Beginning of the End (Part One)

THE BEGINNING of the END of PUBLISHING as WE KNOW IT (PART ONE)

Those of you who have been around MW for a while are rolling your eyes at my poor joke (the title), since most writers have been accusing the commercial publishing industry of dying for over 20 years. Claiming that the latest changes are just its latest feeble gasp, its final kicking of legs, as the lion of change continues to choke it to death. Out with the old, in with the new. That, more or less, is what I’ve been known to think.

Why? Because when I was first published (in the dark ages) there were over a hundred NYC publishers. After the huge Penguin Random House merger last year, now there are Five. Five.

 

Penguin Random House Simon & Schuster HarperCollins Publishers Macmillian U.S. Hachette Book Group

 

However, publishers do still exist, and today, […]

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MAKING MONEY MONDAYS!

Happy New Year!!!It’s the start of a new year and new things and new beginnings.

After a few years of trying different things, formats, writers, and concepts here at MW, we are making some changes to try to meet the needs of our readers. We are trying old things. Yep. Old things.

For starters, some old and wonderful names and faces and writerly pens will be coming back to MW on a regular basis. I will be here two Mondays a month. In case you have totally forgotten me (sob whine) I’ve put a bio at the bottom of this post and an old photo.

John Hartness will be taking the other two Mondays. I know, right? Squeeee! Together, we will be talking and sharing and dishing about the financial aspects, the commercial aspects, and the New York publishing house aspects of the biz (dismal for the most part). But […]

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