I made it through Home Ec without doing myself bodily harm.
Considering that the girl at the table next to me ran the needle of her electric Singer sewing machine right through her finger (and broke the damn needle off IN her finger), I figured that I dodged a bullet.
One of the tools we used in that class was a seam ripper. It was a pointy little sharp hooked thing that slid under stitches and cut through thread so you could take out a crooked seam. Part of sewing is ripping out your mistakes and putting the pieces back together again. And while I haven’t sewed anything since that long-ago class, years later, I’m thinking about seam rippers, and how sometimes you have to tear things apart to re-stitch them. It happens when you’re sewing a shirt, and it happens when you’re stitching a plot together.
I’m working […]
Continue reading Plot Stitching and Seam Rippers
I generally consider the whole ‘pantser’ vs ‘plotser’ debate to be a Shrodinger’s Cat dilemma–we plan and pants simultaneously (and yeah, at various points in the process, the book might feel dead and alive at the same time depending on whether or not you’re looking at it). Truth be told, the pantsing/plotting happens recursively as well. You can start with an outline for your novel (if you have a publisher and a contract, you’ll have had to at least come up with this much). Depending on your style, you may have outlines for every chapter, even every scene. Hell, I heard about someone who had a 60K ‘outline’ for a 90K book (which made me think what he really had was a 60K first draft). Whatever floats your boat. But just remember ….
At some point, you’re going to run into construction cones, ‘bridge out’ signs and the mother of […]
Continue reading Outlines, Plot Twists and Google Maps
I’ve written seven books in the BLACK WINGS series and one stand-alone novel (the forthcoming ALICE, August 2015) and I’m pretty sure I can’t tell you a single useful thing about how I plotted any of them. I know, this sounds a lot like what I said about writing character last week. The trouble is that I just don’t spend that much time thinking in a concrete way about the plots of my books. I don’t have a nice neat formal method.
This is what I do: I start writing the book. And then I see what happens next.
All my books begin with the protagonist, and I tend to let the protagonist dictate the action that follows. I don’t write an outline, summary or synopsis of any kind. I just let the book unfold as I write it chronologically.
I do have a general idea of where the book […]
Continue reading Christina Henry–Plot and the Protag
Years ago, I recall reading a suspense novel by Harlan Corben, I honestly can’t recall the name of the book – I think it was Gone for Good. It was well-written, enjoyable and kept my interest, it was also one of the reasons so many writers say you need to read to write. Coban’s novel was to the plot twists, what high-fructose corn syrup is to junk food. Pretty much every chapter ended with some kind of shocking revelation that shifted everything you thought you knew about the characters and the plot—this character wasn’t really dead, they were in fact someone’s mother/daughter/long-lost step-son/ St. Bernard… you get the idea. The first few twists blew me away, but by the end of the book it was, well, funny. I’d get to the end of a chapter and laugh at what new M Night Shyamalan-esque twist the author threw at me.
Continue reading R S Belcher: Building a Haunted House
SHATTERING THE LEY: Plot: Losing Control
Welcome to my third guest post about my new novel, SHATTERING THE LEY (in stores now)! Again, thanks to Magical Words for inviting me.
As you may have read in my previous post about character, I’m an organic writer, sometimes also called a pantser. What this means is that I don’t have much of a plan when I sit down to write my novels. Usually I have a few “guideposts”—basically a couple of plot elements that I think are going to happen (usually something about halfway through and something at the end). But when I sit down to write, I let the characters take control. Most of the time, the characters end up in situations close to those initial guideposts. But sometimes . . . not so much.
That “not so much” happened with SHATTERING THE LEY. Almost as soon as I sat down […]
Continue reading Joshua Palmatier — Plot: Losing Control
Thanks so much for having me! I thought I’d talk about my writing process today because it’s a doozy. LOL. And I have learned NOT to mess with that process lest I bring the wrath of the gods of writer’s block down upon my head. Here is my step-by-step to creating a book. (Pantsers [aka, people who write by the seat of their pants] might want to skip this part. It could give you hives.)
Just for the record, I plot like there’s no tomorrow. I barely start a book without three distinct outlines.
The Skeleton Key: This answers four basic questions: Where are we? What time of day is it? What major event happens in this scene or series of scenes? And in what order does the story unfold? (I like this because it helps me quickly find where […]
Continue reading Darynda Jones — The Writing Process of An OCD Plotter
Outlines are great, but I have discovered a new power tool when it comes to plotting—flow charts.
Publishers like to see a synopsis and a detailed outline. These help a lot, but I’ve found that when I really get into the nitty-gritty of writing, they often are too high-level to point me in the right direction. In a 600+ page epic fantasy with multiple point-of-view (POV) characters and interweaving plot threads, it can get difficult to keep straight who is doing what to whom.
Enter the flow chart.
Mine are pretty simple. I use either several pieces of legal-size table paper taped together or a white board. I start with chapter numbers across the top, and the names of the POV characters down the left side. Then I note who is doing what in each chapter. Usually, one character owns the POV […]
Continue reading Gail Z. Martin: Plotting out the Plot