David B. Coe: Release Day for DEAD MAN’S REACH!

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Today is release day for Dead Man’s Reach, the fourth and final (for now) novel of the Thieftaker Chronicles. I’m incredibly excited about this book for several reasons, not the least of which being that it represents, I believe, some of the finest work I’ve ever done. I hope you enjoy reading it every bit as much as I enjoyed writing it.

All of the Thieftaker novels demanded that I interweave fictional story elements with actual historical events. That has been one of the great challenges of writing these books, and one of the great pleasures as well. And I think that most fans of the series would agree that the interplay of fiction with history is part of what has drawn them to the Ethan Kaille stories.

In no book has that blending of history and make believe been more demanding, more complex, and more intricate, than in […]

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David B. Coe: Different Books, Different Roles

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Hello again, Magical Words! I’m baaaccckk!

Today, I launch what I have been calling the 2015 Summer-of-Two-Releases Virtual Tour. Over the course of the next five weeks, I have two books coming out: On July 21, Dead Man’s Reach, the fourth and (for now) final Thieftaker novel, will be released by Tor Books under the D.B. Jackson pseudonym. And on August 4, His Father’s Eyes, the second volume in The Case Files of Justis Fearsson, will come out from Baen Books under my own name.

For those of you keeping score at home, that’s two novels, in two separate series, under two bylines, coming out from two publishers. When we (my agent, Lucienne Diver, and I) sold the second series, we didn’t envision this kind of summer. We hoped that the books would come out far apart. But in publishing, things don’t always work out according to plan, and really, […]

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David B. Coe: Point of View, Voice, and the Choices We Make

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I’m sure that some of you saw the title of this post and groaned. I have written about point of view on this site quite a bit. I talk about point of view on panels and in writing workshops all the time. I have said again and again that, to my mind, point of view is the single most important narrative tool we have at our disposal, because it brings together character development AND plot AND setting. How does it do this? By coloring all that our readers experience with the emotions, thoughts, perceptions, and knowledge of our point of view characters. You’ve heard all of this before, and many of you are probably sick to death of it. Sorry. But it really is important . . .

I’m not going to give you the whole “Here’s why I care so much about point of view” thing today. I’m sure […]

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David B. Coe: Openings, Hooks, and Breaking Rules

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Last week I re-introduced you to my upcoming novel, Spell Blind, which is the reincarnation of a book I wrote a long time ago, and the culmination of years of writing, reinvention, and revision. I have always loved the characters, but it wasn’t until I came up with a new plot and, more importantly, a new magic system that the novel and its sequels became all that I wanted them to be.

What I love most about all the books in the Case Files of Justis Fearsson are the characters and their interactions. And I intend to write a couple of posts about them (Spell Blind comes out January 6, so I’m going to be showing up here at Magical Words throughout December and January; we have plenty of time to cover a bunch of topics) and about other elements of the story as well. But today I want to […]

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Jennifer Estep — Plotting While Wearing Pants

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Oh, plotting. You and I aren’t the best of friends. More like casual acquaintances, if that.

When many folks talk about writing, they often talk about two kinds of writers—plotters and pansters. Now, plotters are just what the name implies. These are the folks who plot out their books, which can include everything from doing a chapter-by-chapter breakdown of the book to detailed character outlines to creating storyboards of the various scenes/chapters.

And then there are pansters, or people who don’t do a lot of plotting. I am one of those folks.

Usually, when I’m thinking about an idea for a book, I’ll think about my heroine first—her personality, her strengths and weaknesses, her magic and how she can use it to defeat the bad guys. Then, I’ll think about the three big turning points of the story:

1) The first chapter that opens the book. I often think of […]

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Joshua Palmatier — Plot: Losing Control

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SHATTERING THE LEY: Plot: Losing Control

Welcome to my third guest post about my new novel, SHATTERING THE LEY (in stores now)! Again, thanks to Magical Words for inviting me.

As you may have read in my previous post about character, I’m an organic writer, sometimes also called a pantser. What this means is that I don’t have much of a plan when I sit down to write my novels. Usually I have a few “guideposts”—basically a couple of plot elements that I think are going to happen (usually something about halfway through and something at the end). But when I sit down to write, I let the characters take control. Most of the time, the characters end up in situations close to those initial guideposts. But sometimes . . . not so much.

That “not so much” happened with SHATTERING THE LEY. Almost as soon as I sat down […]

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D.B. Jackson: Drawing Inspiration From Short Fiction

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Hello, MW! It is great to be back — I’ve missed being here. [Glances around] The place looks great — you’ve taken good care of it while I’ve been gone. And now that I’m here, I’m sticking around for a while — I’ll be posting for the next five weeks, kicking off the promotion for A Plunder of Souls, the third book in the Thieftaker Chronicles (which began with Thieftaker and Thieves’ Quarry). The book will be released on July 8, exactly one week from today.

So, let’s get to it . . .

You’ve heard me say it before: “Write short fiction about your characters. It will help you get a sense of their background and their voice, and it might even result in a sale.” Or, as in this case, it might lead to an entirely new novel.

A Plunder of Souls has its origins in a single […]

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