Today is release day for Dead Man’s Reach, the fourth and final (for now) novel of the Thieftaker Chronicles. I’m incredibly excited about this book for several reasons, not the least of which being that it represents, I believe, some of the finest work I’ve ever done. I hope you enjoy reading it every bit as much as I enjoyed writing it.
All of the Thieftaker novels demanded that I interweave fictional story elements with actual historical events. That has been one of the great challenges of writing these books, and one of the great pleasures as well. And I think that most fans of the series would agree that the interplay of fiction with history is part of what has drawn them to the Ethan Kaille stories.
In no book has that blending of history and make believe been more demanding, more complex, and more intricate, than in […]
Continue reading David B. Coe: Release Day for DEAD MAN’S REACH!
We write about openings a lot here at Magical Words, and with good reason. A good opening for a story or novel establishes voice, tone, and conflict, and will ground your reader in your setting, your narrative, and your various character arcs. Early in our careers, when we submit work to editors and agents for consideration, we rarely get more than a page or so to convince them that our stories are worth publishing or representing. A lot rides on those first few paragraphs. Later, when we’re established, we still rely on those openings to carry a disproportionate share of the burden in winning over readers. Potential buyers will often read the opening page to determine whether they’re interested in purchasing a novel. I’ve had readers do this right in front of me at signings and conventions. Sometimes they read a few graphs, put the book back on the shelf […]
Continue reading David B. Coe: Another Post About Openings
Hello again, Magical Words! I’m baaaccckk!
Today, I launch what I have been calling the 2015 Summer-of-Two-Releases Virtual Tour. Over the course of the next five weeks, I have two books coming out: On July 21, Dead Man’s Reach, the fourth and (for now) final Thieftaker novel, will be released by Tor Books under the D.B. Jackson pseudonym. And on August 4, His Father’s Eyes, the second volume in The Case Files of Justis Fearsson, will come out from Baen Books under my own name.
For those of you keeping score at home, that’s two novels, in two separate series, under two bylines, coming out from two publishers. When we (my agent, Lucienne Diver, and I) sold the second series, we didn’t envision this kind of summer. We hoped that the books would come out far apart. But in publishing, things don’t always work out according to plan, and really, […]
Continue reading David B. Coe: Different Books, Different Roles
John G. Hartness
So I’m a little (a lot) like Simon Cowell on old episodes of American Idol. I’m snarky, sometimes biting, and I don’t suffer fools lightly. I might or might not unleash a little of that in this week’s episode of Literate Liquors, when I give some tips to beginning writers on how to write better. Or as I tend to put it – suck less. I have a lot of people that ask me to read things, and a lot of the time my response is simply – this isn’t written well. So this week I go over a few things that writers need to avoid doing in order to craft tighter stories, create better tension, and generally suck less. Because the less you suck, the more you sell!
Literate Liquors Episode 18 is available here.
By the by, the second in my Quincy Harker, Demon Hunter novella series is […]
Continue reading New Release & Literate Liquors Episode 18 – Writing Tips for Beginners
Yep, it’s Thursday! I’m baaaaaack!
And yes — Dark Heir is out and doing well.
If our main characters are to blossom, then they have to have a function and the weapons to accomplish the goal you, the writer, sets for them. Function: Jane is necessary to stem the vamp war with the European Vampires, a war she knows nothing of when the series starts. Weapons: She has the desire, developing skill sets and the family she is building to fight evil. When she realizes that her friends and godchildren are potentially threatened, she also has the desire to fight.
So if look at characterization from the standpoint of strengths and weaknesses, we can easily take a character—any character—and show them developing by simply letting the plot points challenge the character’s weaknesses.
Last week we looked at Jane Yellowrock’s traits, so this week let’s look at them again, […]
Continue reading Character Development – Show Me – Jane and Beast — PART TWO
Hey Everyone! Long Time No POST!
Back in (gasp) January 2009, I wrote about character development and how I created and developed Thorn St. Croix for the Rogue Mage series. (That was about the novels BloodRing, Seraphs, and Host ) But I can’t find where I ever did a post on how I created Jane and Beast in the Jane Yellowrock series. New book, DARK HEIR, coming out April 7th, By the way.
If you’ve ever heard me on a panel or teaching a seminar on character and character development, you’ve heard me say (probably ad nauseam) Your character has one great strength and one great weakness. The weakness makes the conflict worse, the strength and developing strengths saves the character and resolves the plot’s conflict. This is called the marriage of character development and conflict.
There are specific, identifiable parts to strength and weakness Characterization…. These are called […]
Continue reading Character Development – Show Me – Jane and Beast
I’m sure that some of you saw the title of this post and groaned. I have written about point of view on this site quite a bit. I talk about point of view on panels and in writing workshops all the time. I have said again and again that, to my mind, point of view is the single most important narrative tool we have at our disposal, because it brings together character development AND plot AND setting. How does it do this? By coloring all that our readers experience with the emotions, thoughts, perceptions, and knowledge of our point of view characters. You’ve heard all of this before, and many of you are probably sick to death of it. Sorry. But it really is important . . .
I’m not going to give you the whole “Here’s why I care so much about point of view” thing today. I’m sure […]
Continue reading David B. Coe: Point of View, Voice, and the Choices We Make