I’m sure that some of you saw the title of this post and groaned. I have written about point of view on this site quite a bit. I talk about point of view on panels and in writing workshops all the time. I have said again and again that, to my mind, point of view is the single most important narrative tool we have at our disposal, because it brings together character development AND plot AND setting. How does it do this? By coloring all that our readers experience with the emotions, thoughts, perceptions, and knowledge of our point of view characters. You’ve heard all of this before, and many of you are probably sick to death of it. Sorry. But it really is important . . .
I’m not going to give you the whole “Here’s why I care so much about point of view” thing today. I’m […]
Continue reading David B. Coe: Point of View, Voice, and the Choices We Make
Last week I re-introduced you to my upcoming novel, Spell Blind, which is the reincarnation of a book I wrote a long time ago, and the culmination of years of writing, reinvention, and revision. I have always loved the characters, but it wasn’t until I came up with a new plot and, more importantly, a new magic system that the novel and its sequels became all that I wanted them to be.
What I love most about all the books in the Case Files of Justis Fearsson are the characters and their interactions. And I intend to write a couple of posts about them (Spell Blind comes out January 6, so I’m going to be showing up here at Magical Words throughout December and January; we have plenty of time to cover a bunch of topics) and about other elements of the story as well. But today I want to […]
Continue reading David B. Coe: Openings, Hooks, and Breaking Rules
Hello again, Magical Words! Great to be back here as I begin the publicity ramp-up to another book release.
The new book is called Spell Blind, and it’s the first book in a new contemporary urban fantasy series, the Case Files of Justis Fearsson, that I’m writing for Baen Books. The hardcover of Spell Blind drops on January 6, 2015. The second book in the series, His Father’s Eyes, will be out this summer.
This is actually a series that I’ve discussed here on MW in the past. The first book, in a substantially different form, sold initially to Meisha Merlin back in 2005. Not long after, Meisha Merlin went out of business, and I was fortunate enough to get back the rights to the books before they became entangled in the company’s Chapter Eleven negotiations. But when Lucienne and I put the books back on the market we couldn’t […]
Continue reading David B. Coe: My New Old Book
So—I’m Emily Lavin Leverett. If you’ve been reading here a while, you might have seen me comment as Peafaerie. I’m a writer of short stories and novels, an editor of The Big Bad I and II with John Hartness, and an English professor. Thanks very much to Magical Words for letting me be here today to talk about a subject near and dear to my heart!
I’m here to talk about grammar.
(The sound of people clicking to something else is overwhelming, so I’ll just wait for a moment, until it passes.)
Grammar is important. I’ll put that out there first. Anyone who tells you it is not, or that if your voice or characters or story are really good, bad grammar won’t hurt, is a lying liar who is lying. Great voice, character, and story will get people past typos, but not persistent problems. Good grammar is the key […]
Continue reading Emily Lavin Leverett: It’s All In How You Say It!
As I’ve mentioned before — and as Faith and others have mentioned as well — the release of a new book can be incredibly stressful. Of course there is satisfaction in seeing the finished product in print (or ebook format). Writing a book is a big deal. That completed volume represents a tremendous amount of work; it required a huge investment of time, and of emotional and intellectual energy. It represents as well, an admirable accomplishment, and there is nothing wrong with taking pride in that. The problem is, releases are fraught with additional significance. Right or wrong, the success of a new book is judged on a collection of external factors that have little or nothing to do with the work itself, and everything to do with how others receive that work.
Every writer, aspiring or established, knows what I’m talking about. How many of you have finished a […]
Continue reading D.B. Jackson: The Writing Life, part II — Living With Success and Failure
This week, in my continuing gig as “guest” on this site, I’m supposed to write about “The Writing Life.” First of all, it’s just weird being a guest here — I mean, this place has been my literary home for six years. I feel a little like I went off to college and then returned home, only to find that my room was being used as a bed and breakfast. I guess now I know how my older daughter feels . . . (That’s a little joke. I promise.) But I also wonder if, after all these years, there is anything I could tell you about my writing life that you don’t already know.
And so I’m going to take this in a slightly different direction . . .
Being a writer can be a little weird. By which I mean, that people sometimes treat writers in odd ways. This […]
Continue reading D.B. Jackson: The Writing Life, part I — Say What?
Last week I began the discussion of keeping books and story lines fresh as we move through a series, by talking about character, and in particular shaking up familiar dynamics between (among) two (or more) characters. I focused my post on the core relationship found in the Thieftaker books: the rivalry between my hero, thieftaker and conjurer Ethan Kaille, and his nemesis, the brilliant, deadly, and beautiful Sephira Pryce. The basic dynamics of their relationship had long since been established in the first two books of the Thieftaker Chronicles, Thieftaker and Thieves’ Quarry. Now, in the third book of the series, A Plunder of Souls, which was released a week ago today, I fundamentally altered those dynamics by introducing a new adversary for Ethan, Captain Nate Ramsey, who antagonized Sephira and forced her into an unlikely alliance with Ethan.
But there are other ways to keep a storyline fresh, even […]
Continue reading D. B. Jackson: On Plotting — Keeping Things Fresh