Confession time: There are times when I will find myself ignoring advice that I have given here on Magical Words, or in other teaching situations. For whatever reason — convenience, time, laziness, the sense, right or wrong, that I’ve “outgrown” some of the things I believe writers with less experience ought to do — I will cut a corner here or there. I’m not proud of this, but it’s true. For instance, despite what I’ve said here recently about self-editing being most effective when I separate myself from the writing experience in all ways, including reading from a paper copy of my manuscript, I don’t always do this. Paper and ink are expensive. Printing out a book-length manuscript is time consuming. Sometimes — most time, if I’m being honest — I will simply edit on the screen.
But this past week I took my own advice in a couple of […]
Continue reading Quick-Tip Tuesday: Fixing a Broken Manuscript
Back in February, in a post called “A Challenge to All — Time to Take the Plunge,” I issued a challenge to readers of Magical Words. Take that novel that you’ve been working on, the one that you know is almost done, but feel needs one final tweak, and get it ready for submission to some publisher by October 1. Remember?
Well, we’re in the dog days of summer and fall begins in less than a month. So how’s it going?
Setting goals of any sort can be a tricky business. I had goals for this year, and while I’ve met many of them, I still have several more that I’ve yet to address and, frankly, I don’t know if I’ll complete all of them before year’s end. Sometimes life gets in the way, as it has this year for me. Issues come up that we can’t possibly anticipate, family […]
Continue reading Quick-Tip Tuesday: Challenge Revisited, and Setting Our Work Goals
As I’ve mentioned here plenty of times in the past couple of months, I’m in the process of editing my first series, the LonTobyn Chronicle. The Author’s Edit of Children of Amarid, the first volume, has recently been released by Lore Seekers Press; I’ve just finished my revisions of book II, The Outlanders, which should be out in early October; and I’ve begun work on the third book, Eagle Sage. We’re hoping to release it in December.
When discussing self-editing with less experienced writers, I often start by saying that the secret is creating distance between the writing experience and the editing experience. Without that distance, the manuscript feels stale, and I’m unable to see the mistakes I might have missed while drafting the book. And, for me at least, the best way to facilitate that distancing is to put the manuscript away for a while.
Clearly, not everyone has […]
Continue reading Quick-Tip Tuesday: Self-Editing Redux
Sometimes we writers overthink our work (and in that spirit, this will be a brief post). We try to create spectacular worlds and amazing magic systems and plots filled with surprises and twists. And all of that is great. When I read, I love narrative complexity, rich settings, and remarkable magic.
But I read for emotion. I read, as do so many, because I want to delve into the internal lives of compelling characters. Humans are natural voyeurs and eavesdroppers. We are curious about other people, sometimes to a disturbing degree. (See: Kardashian, Kim) One of the great allures of reading, I believe, is the chance not only to listen to and watch characters, but also to have access to their thoughts and emotions.
I bring this up because I have noticed in working with students and less experienced writers, a tendency to shy away from exploring the emotions of […]
Continue reading Quick-Tip Tuesday: Writing With Emotion
Not so long ago, I posted here about revising my early work. I’m preparing for the re-release of my first series, the LonTobyn Chronicle (more on that later) and so have been editing the books: cutting adverbs, strengthening my prose with more forceful verb constructions, and making the writing more concise and direct. You can find the post I wrote about this here. And you can also read Joshua Palmatier’s post from June 28, because he’s been doing much the same thing with his work.
I want to return to the process in this post, because I’m now almost finished editing The Outlanders, the second LonTobyn book. The Outlanders has long been among my favorites of all my books, not because I think it’s the best I’ve written, or even one of the top two or three. It’s not. Rather, I’ve always loved this book because it exceeded my expectations […]
Continue reading Quick-Tip Tuesday: Learning From Inexperience
I’m finally home after ConCarolinas and the Roaring Writers Retreat, where I taught and led critique sessions for a fun, productive, wonderful week. (Thanks for inviting me, folks — it was fantastic!) My third night home — last night — I attended a meeting of the writer’s group of which I’m a part here in my town. And, of course, I’m posting this to MW, which has been the foundation of my writing family for eight and a half years.
So, I thought today I should post about community and its importance to writers of all levels.
Writing can be a lonely profession. We often work on our own, toiling alone for hours at a time, sending our work into what can feel like a marketplace vacuum, and waiting for feedback that can be hurtful, even brutal. It’s hard, and our solitude makes it harder. Yes, we have loved ones […]
Continue reading Quick-Tip Tuesday: Finding A Writing Community
We’ve recently learned that our younger daughter is gluten-intolerant. (Yes, this is relevant. I promise. Bear with me.) And in discovering this, we have learned we can’t always assume we know what’s in the food we’ve been eating. It’s not that apples suddenly have gluten in them, but rather that lots of processed foods have hidden fillers, and these fillers often include gluten-rich ingredients.
As I’ve mentioned here before, I’m in the process of editing my first series, the LonTobyn Chronicle (Children of Amarid, The Outlanders, Eagle-Sage) for reissue later this year. Children of Amarid is already in production and on schedule for a July release, and I’m most of the way through The Outlanders right now.
I’ve noticed an incredible amount of extra verbiage in my early books — filler, if you will: superfluous words that add little to the storytelling, but clutter up my prose. For the wordiness-intolerant, […]
Continue reading Quick-Tip Tuesday: Cutting Out the Filler